Marianne Hoppe

Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1] Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1] One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1] During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born. Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf. Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."

Known For	Acting
Most Rating	6.06
Birthday	1909-04-26
Place of Birth	Rostock, Germany
Also Known As

Wrong Move

Ten Little Indians

Treasure of Silver Lake

Das verlorene Gesicht

The Strange Countess

Romance in a Minor Key

The Queen – Marianne Hoppe

13 Little Donkeys and the Sun Court

Goodbye, Franziska

Conquerors of Arkansas

The Sovereign

Love in Stunt Flying

Nur eine Nacht

The Rider on the White Horse

Schloß Königswald

Black Fighter Johanna

The Judas of Tyrol

Heideschulmeister Uwe Karsten

Die Werft zum Grauen Hecht

Anschlag auf Schweda

Alles hört auf mein Kommando

Kongo-Express

Die Mission

Der Schritt vom Wege

Ich brauche Dich

Stimme des Herzens

Schicksal aus zweiter Hand

Der Walzer der Toreros

Trouble with Jolanthe

Der Mann meines Lebens

Oberwachtmeister Schwenke

Gabriele eins, zwei, drei

Das Leben geht weiter

Eine Frau ohne Bedeutung

Der Tod kam als Freund

Heiratskandidaten

When the Cock Crows

Im Hause des Kommerzienrates

Das Leben des Horace A.W. Tabor - Ein Stück aus den Tagen der letzten Könige

Der Richter

Bei Thea

Heldenplatz

Andere Zeiten - andere Sitten

Marianne and Sophie

Rose Bernd

Tag für Tag

Briefe nach Luzern

König Ödipus

König Richard II

Francesca

Harlekinade

A Winter's Tale

Die Teilnahme

Er-Götz-liches

Die Baronin - Fontane machte sie unsterblich

Hitler's Hollywood