![Dore O.](http://image.tmdb.org/t/p/w185/aqs4hsNBxdZug5EpAcrrMrrQp0b.jpg)
Dore O.
Trained as a painter, O. was cofounder of the Hamburger Filmschau, alongside with her husband and collaborator Werner Nekes. For all the psychedelia of her early work, subsequent films are rigorous in refractory experimentation: rear-projections, double-impositions, repeated frames and breathtaking lunges of the handheld camera, which seems bolstered as much by raw impulse as it does by any guiding principle of onscreen organization. O.’s work establishes its own space-time linearities, then argues them against each other–sometimes content with a mild flicker, a closing or opening aperture or a flurry of blunt smears. This is a playful and often freefalling visual poetics, best left to wash over you pure and analyzed later (or better yet, not at all.)
Known For | Directing |
---|---|
Most Rating | 2.194 |
Birthday | 1946-08-09 |
Place of Birth | Mülheim an der Ruhr, Germany |
Also Known As | Dore Oberloskamp, |
![T-Wo-Men](http://image.tmdb.org/t/p/w154/hom78q2A7CeQPBHEjIiq3c0mFYI.jpg)
1972
![T-Wo-Men](http://image.tmdb.org/t/p/w154/hom78q2A7CeQPBHEjIiq3c0mFYI.jpg)
T-Wo-Men
4.7/6
The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary...
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T-Wo-Men
![Lawale](http://image.tmdb.org/t/p/w154/g2ABjcDzR4Qo4Rb1OU9m4gbkdKd.jpg)
1969
![Lawale](http://image.tmdb.org/t/p/w154/g2ABjcDzR4Qo4Rb1OU9m4gbkdKd.jpg)
Lawale
10/1
According to the director, "Memory is a cruel hope without awakening."
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Lawale
![Jüm-Jüm](http://image.tmdb.org/t/p/w154/g73LZT17tKHNcgTDDVtCx0KShmh.jpg)
1967
![Jüm-Jüm](http://image.tmdb.org/t/p/w154/g73LZT17tKHNcgTDDVtCx0KShmh.jpg)
Jüm-Jüm
5/4
In “jüm-jüm” by Dore 0. and Werner Nekes, a girl swings for 10 minutes in front of a movie screen, on which is painted a phallus (slightly abstract an...
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Jüm-Jüm
![Abbandono](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
1970
![Abbandono](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
Abbandono
8.5/2
"...Nekes retreats behind his film. What is left is a double portrait, in which neither Dore 0. nor the grand landscape remain unchanged. The cold of...
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Abbandono
![Hurrycan](http://image.tmdb.org/t/p/w154/7vlznBgNP4wQvWh5i1tfwOWzlzr.jpg)
1979
![Hurrycan](http://image.tmdb.org/t/p/w154/7vlznBgNP4wQvWh5i1tfwOWzlzr.jpg)
Hurrycan
0/0
"HURRYCAN has nothing to do with whirlwinds, although in this Nekes film the pictures journey across the screen, excitedly, spasmodically and flickeri...
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Hurrycan
![Diwan](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
1974
![Diwan](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
Diwan
7/5
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are n...
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Diwan
![The critical mass](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
1999
![The critical mass](https://nicosiaefe.gov.cy/video/assets/no-poster.png)
The critical mass
0/0
A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstrea...
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The critical mass
![Home Movies 1971-81](http://image.tmdb.org/t/p/w154/95USeVGGGiVd8b8I3525itz3Ta.jpg)
1985
![Home Movies 1971-81](http://image.tmdb.org/t/p/w154/95USeVGGGiVd8b8I3525itz3Ta.jpg)
Home Movies 1971-81
0/0
Home movies shot on Super 8mm by W+B Hein over 10 years.
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