Abel Gance
Abel Gance was a French film director, producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: J'accuse (1919), La Roue (1923), and Napoléon (1927).
He was born in Paris in 1889. In 1909, he acted in his first film. He also wrote scenarios, and often sold them to Gaumont. During this period he was diagnosed with tuberculosis, fatal at the time, but he recovered. In 1911, with some friends he established a production company, Le Film Français, and began directing his own films.
With the outbreak of WW I, rejected by the army on medical grounds, he started writing and directing for a new film company, Film d'Art until 1918, making over a dozen successful films. Charles Pathé underwrote his next film, J'accuse (1919), in which Gance confronted the waste and suffering which the war had brought.
In 1920, he developed La Roue. He brought an unprecedented level of energy and imagination to the technical realization of his story, employing elaborate editing techniques and innovative use of rapid cutting which made the film highly influential. The finished film ran for nearly nine hours, but was edited down for distribution.
In 1921, Gance visited America to promote J'accuse. He met D. W. Griffith, whom he had long admired. He was also offered a contract with MGM but turned it down.
He then embarked on his greatest project, a six-part life of Napoléon. Only the first part was completed, tracing his early life, through the Revolution, up to the invasion of Italy, but even this occupied a vast canvas with meticulously recreated historical scenes and scores of characters. The film was full of experimental techniques, combining rapid cutting, hand-held cameras, superimposition of images, and, in wide-screen sequences, shot using a system he called Polyvision needing triple cameras (and projectors), achieved a spectacular panoramic effect, including a finale in which the outer two film panels were tinted blue and red, creating a widescreen image of a French flag. The original version ran for around 6 hours. A shortened version received a triumphant première at the Paris Opéra in April 1927.
Throughout his life he kept returning to Napoléon, editing his footage, and as a result the original 1927 film was lost from view for decades. The dedicated work of the film historian Kevin Brownlow produced a five-hour version, still incomplete but fuller than anyone had seen since the 1920s. It was presented at the Telluride Film Festival in 1979, and the occasion brought a belated triumph to Gance's career, and made his name known to a worldwide audience.
In the assessment of Kevin Brownlow, "...[Abel Gance] made a fuller use of the medium than anyone before or since". As well as his multiscreen ventures with Polyvision, he explored the use of superimposition of images, extreme close-ups, fast rhythmic editing, and he made the camera mobile in unorthodox ways – hand-held, mounted on wires or a pendulum, or even strapped to a horse. He also made early experiments with the addition of sound to film, and with filming in color and in 3-D. There were few aspects of film technique that he did not seek to incorporate in his work, and his influence was acknowledged by contemporaries and later by the French New Wave film-makers.
Known For | Directing |
---|---|
Most Rating | 1.132 |
Birthday | 1889-10-25 |
Place of Birth | Paris, France |
Also Known As | 아벨 강스, Abel Perthon, |
1931
End of the World
4.767/15
The plot concerns a comet hurling toward Earth on a collision course and the different reactions to people on the impending disaster.
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End of the World
1927
Napoleon
7.778/169
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his f...
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Napoleon
1910
Molière
5.2/4
A film about the life of Molière (1622-1673).
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Molière
1930
Around the End of the World
5/4
A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".
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Around the End of the World
1923
Autour de la roue
7/1
Blaise Cendrars' AUTOUR DE LA ROUE (1923), a behind-the-scenes short documenting the production.
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Autour de la roue
1923
La Roue
7.2/54
Sisif, a railwayman, saves a young girl named Norma orphaned by a train crash and raises her as his own daughter alongside his son, Elie. As she becom...
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La Roue
1972
Bonaparte et la révolution
0/0
Abel Gance's 1971 sound edition of his epic 1927 'Napoleon', which contains much of the silent original, with new material shot and added in both 1965...
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Bonaparte et la révolution
1928
The Fall of the House of Usher
7.071/126
A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine...
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The Fall of the House of Usher
Abel Gance's Magnum Opus
0/0
Abel Gance's Magnum Opus was a documentary project put together by jdtspring. This project started at the beginning of 2024 and is a multiple volume s...
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Abel Gance's Magnum Opus
1963
Abel Gance, Yesterday and Tomorrow
6/1
The life and work of Abel Gance as told by himself. Includes extracts from many of his films and considers his contribution to the cinema.
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Abel Gance, Yesterday and Tomorrow
1968
Abel Gance: The Charm of Dynamite
0/0
BBC documentary on the long and flamboyant career of French filmmaker Abel Gance.
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Abel Gance: The Charm of Dynamite
1935
Napoléon Bonaparte
8/2
A second version of Gance's Napoléon, with sound.
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Napoléon Bonaparte
2024
Napoléon vu par Abel Gance - Deuxième Partie
0/0
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