Hisayasu Satô
Hisayasu Satô
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Known For Directing
Most Rating 2.179
Birthday 1959-08-15
Place of Birth Shizuoka, Shizuoka Prefecture, Japan
Also Known As 幡寿一,
I Stand Alone - SEX & LOVE
1996

I Stand Alone - SEX & LOVE

Cross the Lens
2006

Cross the Lens

Japanscope, panorama de la nouvelle Nouvelle Vague
2015

Japanscope, panorama de la nouvelle Nouvelle Vague

In The Sea of Trees

In The Sea of Trees

Tokyo Elegy
1999

Tokyo Elegy

Autumn
2016

Autumn

Groper Train: Final Stop
1986

Groper Train: Final Stop

Crying Rope, Missing Black Hair
1983

Crying Rope, Missing Black Hair

Hometown Porn Girl 18! Seeding Festival
1984

Hometown Porn Girl 18! Seeding Festival

Young Wife Assault Pervert
1982

Young Wife Assault Pervert

Female Prisoners: Brutal Treatment
1984

Female Prisoners: Brutal Treatment

Delivery Wife: Get Wet!
1984

Delivery Wife: Get Wet!

Pink Physical Examination
1985

Pink Physical Examination

Wakazuma Misshitsu Bôkô Jiken
1985

Wakazuma Misshitsu Bôkô Jiken